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	Issue 6 2011 ESSAYS Eugenia Russell: Sources and Themes for the Study of the Cult of Saints in the Middle Ages: The Case of St Demetrius Jamie McKinstry: 'Blait Mouit Blad.eanes With Bladder Cheikis': Dirty Politics and the Poetry of Wililam Dunbar Carla Della Gatta: Constructing Shylock: Post-Theatre Talks as Secondary Performance Ged Pope: Suburban Stuff and Realism Jeanne-Marie Jackson: The Spaces Between and Beyond the Law: Sentimental Construct in Cry, the Beloved Country Klara Szmanko: Alien and Haunting Whiteness in Maxine Hong Kingston's The Woman Warrior James Aubrey: 'For Me Alone Paul Rayment Was Born': Slow Man, Don Quixote and the Literature of Replenishment Dennis Gouws: Uncovering Gendered Assumptions about the Traumatised Male Bog-Body: Seamus Heaney's 'Grauballe Man' and 'Punishment' in their Cultural Context Stacy Denton: The Meaning of Local Hierarchies in Contemporary Rural US Fiction Alan Ashton-Smith: The Invaded Home in Ian McEwan's Solar and Saturday REVIEW ESSAYS Rory Waterman on Recent Work in Twentieth Century Poetry Alexandra Pryce on Recent Work in Women's Studies REVIEWS Anna Gottschall on Cate Gunn and Catherine Innes-Parker, Texts and Traditions of Medieval Pastoral Care: Essays in Honour of Bella Millett Sonia Suman on Christopher Brooks, Law, Politics and Society in Early Modern England Martin Dubois on Magnus Ankarsjo, William Blake and Religion: A New Critical Review Anthony Williams on John Williams, Wordsworth in Germany Tommi Kakko on Gabriel Josipovisi, What Ever Happened to Modernism?
	Issue 5 2010 This issue reproduces papers given at the Lost in Translation postgraduate conference held at the University of Leicester in 2009. ESSAYS Anjina Chouhan: Redeeming Shakespeare's Sins: Measure for Measure and Wilson Barrett's The Sign of the Cross Susan Smith: From 1970s Feminism to the Cult of Celebrity of the 1990s: The Television Adaptation of James Tiptree's The Girl Who Was Plugged In (1973) Chloe Buckley: Neil Gaiman's 'New Mother' 1882-2002: How Coraline 'Translates' Victorian Fantasy Danny O'Connor: 'The Horror of Creation': Ted Hughes's Re-Writing of Genesis in Crow Simon Robinson: I'll Go On: Paul Auster's Dialogue with Samuel Beckett David McGowan: 'And They Lived Happily Ever After???!': Adaptations of Literature in the Animated Feature Films - Snow White and the Seven Dwarfs and Gulliver's Travels Sally Dugan: Anarchy and Magic: Film Versions of the Scarlet Pimpernel Myth Georgina Collins: The Translator as Mediator: Interpreting 'Non'Standard' French in Senegalese Women's Literature John McKay: A Version of Scotland: Don Paterson and Tom Leonard's Translations Dennis Duncan: Form and Anxiety in Translation: Two Case Studies Katherine Heavey: How to Lose Friends and Influence People: John Dryden and the Art of Insulting Other People's Translations Matt Hayler: Translating to Digital: What Changes When Nothing Changes?
	Issue 4 2009 ESSAYS Chrysavgi Papagianni: History in White and Black: Euzhan Paley's A Dry White Season Tony Venezia: Archive of the Future: Alan Moore's Watchmen as Historiographic Novel Jessica Gildersleeve: Regarding Violence in Pat Barker's Double Vision Diane Todd Bucci: Blood and Iron: Negotiating a Hybrid Identity in Anzie Yezierska's Bread Givers Jane Mansfield: Nostalgia for Places: The Brontes and Elizabeth Gaskell Christina Fawcett: Materiality and Omission: Swift's Narrator and The Tale of a Tub PEDAGOGIES Peiling Zhao: Pedagogy of Intersubjectivity: Constructing Subject-to-Subject Relationships Through the Critical Use of Emotion Anna Faktorovich: Teaching Hypertext Archival Research Ronald C. Thomas: A Thought-Piece: Thanks for the F REVIEW ESSAY Hazel Mackenzie on recent studies of Dickens REVIEWS Natalie Jones on Jill Bradley's 'You Shall Surely Not Die': The Concepts of Sin and Death as Expressed in the Manuscript Art of Northwestern Europe, c.800-1200 Jamie Whitehead on Robert James Allard's Romanticism, Medicine,and the Poet's Body Jane Mansfield on Angelia Poon's Entering Englishness in the Victorian Period Martin Dubois on Anna Barton's Tennyson's Name: Identity and Responsibility Nathan Waddell on Stanley Fish's Save the World on Your Own Time
	Issue 3 2008 ESSAYS Lief Bull: Drained Discourses of the Everyday in Richard Yates's Revolutionary Road Abigail Dennis: Co-Opting the Crinoline: Neo-Victorian Feminism and the Politics of Appropriative Meaning Waka Ishikura: 'This Lime-Tree Bower My Prison': Coleridge's Scientific View of Life in his Conversation with Thelwell Kristin Moriah: In the Shadow of the Negro: Minstrelsy, Race and Performance in Herman Melville's Benito Cereno Gavin Murray-Miller: In the Land of the Lotus Eaters: Colonial Travel and the Ambiguities of Colonial Representation in French Algeria, 1830-70 Natalie Pollard: Civil Voices: On Reading Geoffrey Hill Reading Adam Pacton: Perusing the Parousia: A Formalist Reading of W.B. Yeats's The Second Coming PEDAGOGIES David Heckerl: Returning Home to Polyphony: Michael Oakeshott's Modal Pluralism and the Recovery of Liberal Education Matthew A. Fike: Thinking Metaphysically: The Challenge to Fundamentalism n the Works of Robert A. Monroe Siobhan Craft Brownson: Ethical Criticism in the Classroom Michael J. Martin: Where is the Revolution?: Beat Literature and the Contemporary American Classroom REVIEWS AND REVIEW ESSAYS Paul Joyce on Recent Joyce Studies Adelene Buckland on Recent Darwin Studies Rhian Williams on Matthew Bevis's The Art of Eloquence Elizabeth Ludlow on Dinah Roe's Christina Rossetti's Faithful Imagination Christopher Marlow on Grant and Ravelhofer's English Historical Drama
	Issue 2 2007 ESSAYS Rachel Buxton: Muldoon's Refrains Charlotte Boyce: Reading Recipes: The Victorian Cookery Book and its Fictional Analogues Tara Stubbs: New Readings of Marianne Moore's Spenser's Ireland (1941) Eli Park Sorensen: Arcades of Foreignness: J.M. Coetzee's Foe Sandro Jung: William Collins's Odes: Descritpion and the 'Silent Eye' Alexander J. Marshall: '... a matter of limbs, members and organs': Saul Bellow's Swiftian Forays Erik Grayson: 'On a large scale:': Don DeLillo's Cold War Carnival PEDAGOGIES W. Keith Duffy: Sound Arguments: Composing Words and Music Matthew A. Fike: A Jungian Interpretation of an Urban Myth in Critical Thinking Class POEMS Gregory Woods REVIEW ESSAYS Christopher Pittard: Tracing the Downward Path: Degeneration of the Victorian fin de siecle Holly Furneaux: Boy Called Twist and the Social Conscience of Dickens Adaptation in the Twenty-First Century REVIEWS Jennifer Jones on Michael Davis's George Eliot and Nineteenth-Century Psychology Beth Palmer on Kirstie Blair's Victorian Poetry and the Culture of the Heart
	Issue 1 2006 ARTICLES Taek-Gwang Lee: Realism without Lukacs Kate McLoughlin: Adynaton: A War Topos Christopher Marlow: Friendship, Misogny and Anti-Theatrical Prejudice: The Difference of The Rivall Friends Gregory A. Wilson: ‘His own portion of the earth’: The Rhetoric of Alienation and Separation in Naipaul’s A House for Mr Biswas THOUGHT PIECE Matthew A. Fike: The Role of the Unconscious in the Writing Process REVIEW ESSAYS Kathryn Crowther: Reading Time: Capturing the Moment in Victorian Periodicals, Prose and Poetry Lawrence P. Morris: Saints in Society: Recent Approaches to Early English Hagiography REVIEWS Cindy Childress on Peter Haidu’s The Subject Medieval/Modern: Text and Governance in the Middle Ages Martin Delveaux on Angelique Richardson’s Love and Eugenics in the Late Nineteenth Century: Rational Reproduction and the New Woman Amanda Mordavsky on Gary Lachman’s The Dedalus Book of the Occult:A Dark Muse Christopher Pittard on Lawrence Frank’s Victorian Detective Fiction and the Nature of Evidence: The Scientific Investigations of Poe, Dickens and Doyle Simon Stow on Susan Sontag’s Regarding the Pain of Others Ting Man Tsao on Carlos Hiraldo’s Segregated Miscegenation: On the Treatment of Racial Hybridity in the U.S. and Latin American Literary Traditions

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UPDATED: July 22, 2011

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